A particular highlight is the evolving relationship between Adell and Rozalin, though Etna tries her best to outshine everyone in terms of pure character.Ĭharacter interaction is delivered with expert precision. It’s well scripted stuff, largely enjoyable and always entertaining. Along the way Etna makes a glorious cameo appearance, invading a parallel netherworld in the hope of finally becoming top-dog in her master’s absence, bringing with her an army of Prinnies. Suffering from some issues with her memory and fighting a mutual attraction, the pair set out together to lift the curse.
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Training to defeat this monster and free his family, Adell’s mother attempts to summon him to their presence but instead snags his daughter, Rozalin and her frog butler. The biggest change is that instead of being cast in the role of a lovable villain this time you take on the part of Adell, the only member of his human community not being turned into a demon by a curse inflicted by a mad overlord. The story has seen some genuine improvements, rising above a fairly generic ‘take over the netherworld’ scenario that the original employed and building on the concept of hundreds of parallel nether realms, each ruled by a different demonic entity that we saw introduced in ‘Makai Kingdom’.
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Voice acting is the definite highlight here, with outstanding vocal performances throughout the game, and although the actress voicing Etna has changed between games (she would remain with this voice for the rest of the series to date) it’s a change for the better, bringing her innate untrustworthiness to the fore. Some tracks make a welcome return, as do the selection of sound effects that have been copy/pasted into this game from the original wholesale. Music for the sequel was handled by Nippon Ichi regular composer Tenpei Sato who produces a similar sounding arrangement to the first games but one that is slightly less memorable overall. The Prism Rangers make a satirical come-back. Character art remains beautifully rendered in unanimated 2D illustrations for conversations with variations to reflect different emotional states for the main cast.
The game opens with an excellent animation featuring many of the games characters from the same studio who produced the anime spin-off series based on ‘Hour of Darkness’ and sets a quality presentation for the game in general.
The new characters added to the mix are given their own unique sprites and minor tweaks are made to re-appearing characters from the original game but largely this is a case of re-using as many assets as possible in order to speed production on a sequel. Sprites for some of the games classes are re-used and although the locations themselves are new the game is obviously running on the same engine, tweaked for slightly higher screen resolution. Visually, Disgaea 2 is almost identical to the original game. Unlike other games at the time it also didn’t feature any backward-compatibility with the original, making players who had sunken years into levelling those characters all the way to 9999 feel like their hard work hadn’t been rewarded. This falls largely on the fact that instead of directly following on from the story and characters the first title in the series did such a good job of presenting, Disgaea 2: Cursed Memories presents a new cast, protagonist and netherworld to conquer. Instead a new-found focus on storytelling and a few lighter modifications to an already great system make Disgaea 2 something of a love or hate it sequel. Nippon Ichi had thrown the kitchen sink at the original Disgaea game and when it came time to produce a sequel it was going to be hard to find ways in which to further innovate the game.
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